Our exhaustive research here at Bardwatching consists of reading one book, Who Wrote Shakespeare by John Michell. I did not purchase this book because I knew it was the definitive work on the subject. I got it because I saw it at a used book store and thought, why not? (According to the Amazon web site, Publisher’s Weekly called this book an “unconvincing piece of shaky scholarship.”) Regardless, I came away with the belief that the case against Shakespearian authorship is far stronger than the case for any of the other candidates (which include such luminaries of the time as Christopher Marlowe, Ben Jonson and even Queen Elizabeth herself). Even after reading Michell’s work I was comfortable giving credit to the Bard (and by the Bard I mean the man William Shakespeare) and continuing to enjoy the plays as I had opportunity to see them.
Others would not go so gently. One candidate for the authorship prize is Edward de Vere, the Earl of Oxford. Those who support (the “Oxfordians”) are a particularly vocal lot. Coincidentally, was Michell’s favorite choice for authorship. Currently there is a fairly active Facebook page dedicated to proving Edward de Vere did in fact write the plays commonly ascribed to Shakespeare. The Oxfordian case hit the big time with the recent production of the film “Anonymous” starring Rhys Ifans as the Earl of Oxford.
The Earl of Oxford, according to
the film, early on showed a liking to poetry and writing. It was a poorly kept secret among his friends
and family that he had this literary side.
However it was made clear to him that writing was no way for a gentleman,
especially a nobleman, to make a living.
Oxford however was determined that his words could sway the
nation far more than position and/or power so he devises a way to get his
“words” out. He approaches Ben Jonson to
be his living pen name. Oxford gives the plays to Jonson, Jonson takes credit and
everyone is happy. Jonson hesitatingly
agrees to present one of the plays but before he can take credit, William
Shakespeare, a barely literate, and not very talented, member of the company
takes credit for the play and a literary star is “born.”
The movie follows the life of de Vere
through its various ups and downs.
Although it is a historical fact that de Vere was well connected, it is
not necessarily proven that he was quite as connected with Queen Elizabeth as
the movie suggests. By the end of the
film, de Vere passes from the scene, soon to be forgotten, while Shakespeare’s
fame and reputation only grows.